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Roald wrote most of his stories in a small hut at the bottom of his garden in his Gipsy Home in Great Missenden in Buckinghamshire, England. The hut was certainly small and dingy. Christopher Simon Sykes describes it best in Harpers and Queen : "A dirty plastic curtain covered the window.

In the centre stood a faded wing-back armchair, inherited from his mother, and it was here that Dahl sat, his feet propped up on a chest, his legs covered by a tartan rug, supporting on his knees a thick roll of corrugated paper upon which was propped his writing board.

Photographs, drawings, and other mementoes were pinned to the walls, while a table on his right was covered with a collection of favourite curiosities such as one of his own arthritic hip bones and a remarkably heavy ball made from the discarded silver paper of numerous chocolate bars consumed during his youth. Most of Roald's inspiration for writing his stories came from his experiences as a child and from his own children.

His homesickness and distrust of authority while away at school as a young boy account for the common themes and settings between his stories. And as a father, Dahl created many bedtime stories for his children, which motivated him to write his first true children's book, James and the Giant Peach Dahl had already written Gremlins , but did not himself believe it was a children's book. Some of Dahl's books also have unique stories behind them individually.

Illustrator Quentin Blake thought that the boots looked boring and asked if they could be changed. In response, Dahl sent Blake a package containing one of his gigantic, Norwegian sandals.